标题：展讯 | 六十年的约定—龎均油畫展
六十年的约定—龎均油畫展
THE JOURNEY OF A PROMISE-OIL PAINTINGS BY PANG JIUN
艺术家：龎均
Artist： PANG JIUN
展覽日期：2018年7月10日-7月31日
Exhibition Date：10th July—31st July 2018
开幕时间：2018年7月10日（星期二）下午六時至八時三十分
Reception： Tuesday， 10th July 2018 6pm to 8：30pm
地点：香港中環交易廣塲中央大廳
Organizer：The Rotunda， Exchange Square， Central， Hong Kong
免費入場
Free Admission
龎均，十年窗下无人问
一举成名天下知，2003，165x165cm回溯當代油畫大師六十載創作歷程
‘六十年的約定——龎均油畫展’藝術展覽，回溯當代中國油畫大師龎均歷六十年創作的面貌。龎氏的畫作，大多以風景、靜物、人體為主，其創作既隱含野獸派的熾烈情感，亦凸顯中國水墨畫獨有的詩情意境，故有‘油畫界的齊白石’之美譽。龎氏在灰色的運用上尤其獨到，在畫布上營造出國畫那煙雨迷濛的美景。置地公司很榮幸邀得龎先生為展覽創作了數幅全新畫作，當中包括以香港作題旨的作品於展覽中展出，展現他融匯中西文化的獨特畫法和對香港的情意。展覽將於今年七月十日至三十一日，於中環交易廣塲中央大廳舉行。
龎均，梦黄宾虹No.3，1994，130x582cm
龎均，一江春水千帆过，2018，200x750cm
龎均，周庄双桥，2014，150x210cm數十年來，龎氏一直醉心於創作富中國特色的油畫，希望能改寫‘油畫不屬於中國人’這說法。是次展覽將按時序展出龎氏於不同時期、不同地點所創作超過三十幅油畫，概述其油畫藝術的創作歷程。為配合畫作的展出，場地的設計更獨具匠心，以中國傳統造園概念為本，漏窗中又可見景色，而畫作全都掛在一系列的白牆之上，讓賞畫人猶如置身於園林中，每一扇漏窗都透視着不同的景色。
龎均，中环之林，2018，72.5x91cm A Retrospective Exhibition of the Decades Long Creative Journey of a Contemporary Oil Painting Master - including specially commissioned new works
“The Journey of a Promise – Oil Paintings by Pang Jiun”， an exhibition showcasing the creative process over the last 60 years of a man considered to be one of the great masters of Chinese oil painting。 Pang has long been hailed as the Qi Baishi of oil painting。 Employing a style that recalls both Fauvism and the poetic feeling of Chinese ink painting， Pang uses tones of grey to depict misty scenery in his works， most of which are landscapes， still lifes and human figures。 Now， in addition to displaying some of his greatest paintings from the past， Hongkong Land has the great honour of having Mr Pang create new artworks for this upcoming exhibition， with paintings featuring Hong Kong themes rendered in his distinctive east-meets-west artistic style。 The exhibition will run from 10th to 31st July 2018 at The Rotunda， Exchange Square， Central。
On a mission to change the belief that “oil paintings don’t belong to the Chinese”， Pang’s decades-long career has been marked by an obsession to create oil on canvases with Chinese characteristics。 “The Journey of a Promise – Oil Paintings by Pang Jiun” will feature over 30 masterworks created by Pang at various periods and places， all displayed within a venue designed to reflect traditional Chinese landscape gardening。 Presented with vistas streaming through classical lattice work and oil paintings hanging on an array of white Chinese garden walls， visitors will find themselves steeped in the scenery of a literati garden。
龎均
1936 生於上海
1947 龎壔、龎均畫展首展於廣州
1948 龎壔、龎均油畫聯展於上海義利畫廊
1949 考入杭州美術學院
1954 畢業於中央美術學院
1956 加入中華全國美術家協會
1954~1980 任北京畫院等，專任油畫家並兼事藝術院校教學工作
七次參加全國性美展，八次參加北京市美展及聯展
1979 組織參與北京‘新春油畫展’，發起‘北京油畫研究會’，參加全國性藝術在野運動（此運動随後產生‘星星畫會’等藝術團體）
1980 移居香港
油畫個展於香港藝術中心
1981~1987 任教於香港中文大學校外進修部、香港浸會學院音樂美術系
1987 定居台灣
首次油畫個展於台北龍門畫廊
任教於台灣藝術大學（前台灣藝術學院、台灣藝術專科學校）專任教授
擔任全省美展、南瀛美展等油畫評審委員
任江蘇省常熟市龎薰琹美術館名譽館長
1989~1992 台北、台中、高雄舉辦六次個展
1994 油畫邀請展在台灣省立美術館
1994~2000 台北、高雄舉辦九次油畫個展
1995 列入英國劍橋世界名人錄（IBC）
1997 列入英國劍橋世界名人錄‘世界500第一’之列
1999~2001參與創辦台灣‘跨世紀油畫研究會’，舉辦兩次年度展
2000 上海‘龎薰琹三代九人藝術展’
上海、常熟兩地現場油畫示範（作品165×165cm）
2001 率領‘跨世紀油畫研究會’成員及台北油畫家赴上海、蘇州、常熟寫生
在上海主辦海峽兩岸油畫家學術交流研討會
常熟舉辦‘寫生展’及教學交流
舉辦‘龎均二十一世紀油畫首展’
2002 杭州中國美術學院油畫示範（作品165×165cm）
2003 國父紀念館中山畫廊邀請展出‘龎均的藝術’
英國劍橋世界名人錄（IBC）列入‘21世紀世界首批500位名人’
參加北京‘中國油畫創作研討會’發表論文《創立中國風格的現代油畫藝術》
舉辦‘龎氏兩代私房藝術展’
2004 雲南藝術學院講座與油畫示範（作品165×165cm），北京中央美術學院油畫講座與油畫示範，作品《音樂中的色彩》（165×165cm），北京清華大學美術學院油畫講座及示範，作品《音樂中的寫意》（165×165cm），在北京服裝學院油畫講座與示範
獲英國劍橋世界名人錄（IBC）終身成就獎
2005 油畫個展、出版畫册《走過58年藝術生涯》
2006 ‘龎均70’個展於北京
2007 列入英國劍橋世界名人錄（IBC）‘世界頂尖100位藝術家’、‘卓越藝術貢獻’，以及‘達文西油畫類獎’
台灣藝術大學退休，並舉辦‘走過台藝大二十年展’及退休演講
油畫個展於台中
杭州中國美術學院、常熟理工學院創作講座
‘鄉情、視角’油畫個展於常熟美術館
2008 個展於香港一畫廊
‘龎?均的油畫藝術’北京中國美術館邀請展
2009 ‘龎均的油畫藝術’台灣歷史博物館邀請展
至今油畫個展30餘次
個人畫册出版10餘本
藝術上傑出的成就進入美國傳記學會名人榜
美國傳記學會赠與藝術伙伴（Fellowship）獎
代表台灣獲頒美國傳記學會金牌獎
2010 ‘色彩與意境—龎?均油畫展’台北國際藝術博覽會於赤粒藝術
獲頒藝術之巔2010國畫、油畫十大年度人物
2011 ‘花景之春’個展於台北赤粒藝術
‘藝術的傳承與昇華’家族聯展於北京畫院
‘龎均油畫的色、線、形’台北國際藝術博覽會於日升月鴻畫廊
個展於台中由巨藝術中心
2012 ‘龎均風景藝術專展’於台北赤粒藝術
‘江山如畫正是江山不如畫 龎?均-2012上海油畫展’上海藝術
博覽會，龍門雅集，龎均上海工作室
龎均‘江山多嬌’台北國際藝術博覽會於赤粒藝術
‘龎均油畫展’台北國際藝術博覽會於日升月鴻畫廊
2013 ‘自然之聲風景聯展’北京中國美術館
‘在台灣的龎氏家族’北京Art China中國國際文化藝術博覽會
‘龎均油畫個展’香港Fine Art Asia 2013典亞藝博
2014 ‘龎均：色彩的語言’2014北京藝術博覽會於龍門雅集
‘龎均的人物藝術’於台北日升月鴻畫廊
‘龎均均作品展’台北國際藝術博覽會於日升月鴻畫廊
2015 ‘東方文明-龎均個展’日升月鴻畫廊策展於威尼斯聖瑪莉亞聖 殤學院
‘東方表現的龎均’於東京上野之森美術館個展
2016 ‘龎均人體素描藝術展’香港Fine Art Asia 2016典亞藝博
‘龎均80懷舊作品發表展’台北國際藝術博覽會
2017 ‘龎均的藝術’廈門中華兒女美術館
專著
1988 油畫技法哲學，藝術家出版社
1999 油畫寫生哲學論，藝術家出版社
2001 油畫技法創新論，藝術家出版社
2007 油畫論，人民美術出版社
主要藝術論評文章
1988 《評估大陸油畫教育的核心學府-中央美術學院》
1989 《龎氏家族繪畫傳承的藝術啟示-一份有關創作意念的學術報告》《匆匆走過四十二年藝術生涯》
1990 《油畫技法的核心》
《裝飾的繪畫性、精神性與浪漫性》
1992 《論色彩的精神性》《寫生日記》
1994 《油畫創作理念的探索》《新寫意主義之探索-再論油畫創作之理念》
1995 《論油畫小品》
1996 《創作告白》《論詩情畫意的藝術哲學》《‘藝術伴侶’的私房話》
1997 《決瀾社與決瀾後藝術現象》《創建中國自己的現代藝術-‘決瀾’與‘決瀾後’》
1998 《中國油畫探索創新之艱辛》
1999 《色、線、形的交錯》
2000 《從西方藝術傳承談藝術天才》
2001 《畫家色彩實踐與諸多理論性的問題》
2002 《油畫色彩的思索之二-色彩是油畫的靈魂》
2003 《堅持藝術與藝術堅持》《創立中國風格的現代油畫藝術》《關於私房畫》
2004 《藝術對談》
2005 《表現形式與藝術創新》《油畫的諸多問題》
2006 《藝術不能停止》
2007 《論色彩、筆觸、表現、風格》《設計的繪畫性與繪畫的設計性》
2008 《論線》
作品典藏
中國美術館、國家博物館、常熟美術館、龎?薰琹美術館、中央美術學院、中國美術學院、清華大學美術學院、雲南藝術學院、台灣藝術大學、台灣國父紀念館、首都博物館、北京美術家協會、山西劉胡蘭紀念館、墨西哥博物館、台灣美術館、高雄市立美術館以及各國私人所收藏
Chronology
1936 Born in Shanghai。
1947 First exhibition （with Pang Dao） in Guangzhou。
1948 Exhibition of oil paintings of Pang Dao and Pang Jiun in Yili Gallery， Shanghai。
1949 Passes the entrance exam to National College of Art， Hangzhou。
1954 Graduates from the Central Institute of Fine Art， Beijing。
1956 Joins China Association of Fine Arts。
1954 - 1980 Participates 7 national competitions of fine arts and 8 municipal （joint） exhibitions as a professional painter and teacher at Beijing Art Academy。
1979 Organizes and participates in “Spring Exhibition of Oil Painting，” Beijing； founds Beijing Club of Oil Painting； engages in the nationwide non-government art movement （which gave impetus to groups such as the Stars Group）。
1980 Emigrates to Hong Kong。
Solo exhibition of oil paintings in Hong Kong Arts Centre。
1981-1987 Teaches at the Division of Continuing Education of Chinese University of Hong Kong， and the Department of Music and Arts of Hong Kong Baptist College。
1987 Settles in Taiwan。
First solo exhibition of oil paintings in Lungmen Gallery， Taiwan。
Teaches at the National Taiwan University of Arts （formerly National Taiwan Institute of Arts， National Taiwan College of Arts）。
Invited into the committees of Taiwan Provincial Fine Art Exhibition and Nanying Art Exhibition for Literature and Arts， as judge of oil painting。
Appointed Honorary Director of Pang Xunqin Museum， Changshu， Jiangsu。
1989-1992 6 solo exhibitions in Taipei， Taichung， and Kaohsiung。
1994 Invitation exhibition of oil paintings in National Taiwan Museum of Fine Arts。
1994-2000 9 solo exhibitions of oil paintings in Taipei and Kaohsiung。
1995 Listed by the International Biographical Centre， Cambridge， England， in the Dictionary of International Biography。
1997 Listed by the International Biographical Centre， Cambridge， England， in the 500 Founders of the 21st Century。
1999-2001 Co-organizes Cross-Century Club of Oil Painting； 2 annual exhibitions。
2000 “Nine Artists Art Exhibition of Three Generations from Pang Xunqin Family，” Shanghai。
On-site demonstrations of oil painting （165 by 165cm） in Shanghai and Changshu。
2001 Sketches in Shanghai， Suzhou， and Changshu with members of Cross-Century Club of Oil Painting and oil painters from Taipei。
Organizes an academic symposium of cross-strait oil painters in Shanghai。
Exhibits sketches and conducts inter-school educational activities in Changshu； “Oil Paintings by Pang Jiun： Inaugural Exhibition in the 21st Century”。
2002 On-site demonstration of oil painting （165 by 165cm） in China Academy of Art， Hangzhou。
2003 Invitation exhibition “The Art of Pang Jiun” at Chung San Hall， National Dr。 Sun Yat-sen Memorial Hall， Taipei。
Listed by the International Biographical Centre， Cambridge， England， in the 500 Founders of the 21st Century。
Presents the essay “A Style of One‘s Own： The Art of Modern Chinese Painting” in The Art of Chinese Oil Painting Conference， Beijing。
“The Private Works of the Two Generations of the Pang Family”
2004 Seminar and on-site demonstration of oil painting （165 by 165cm） in Yunnan Arts University； oil painting seminar and demonstration of “Color in Music” （165 by 165cm） in China Central Academy of Fine Arts， Beijing； lectures and demonstration of “Idea in Music” （165 by 165cm） in the Academy of Arts and Design， Tsinghua University； seminar and on-site demonstration of oil painting in Beijing Institute of Fashion Technology。
Receives the 21st Century Award for Lifetime Achievement from the International Biographical Centre， Cambridge， England。
2005 Solo exhibition of oil paintings； publishes 58 Years of Art。
2006 “Pang Jiun 70，” Beijing。
2007 Listed in the Top 100 Artists of the World by and receives the awards of Outstanding Achievement in Art and Da Vinci Diamond in Oil Painting from the International Biographical Centre， Cambridge， England。
Retires from the National Taiwan University of Arts， after the exhibition “Twenty Years” in NTUA and the final lecture。
Solo exhibition in Taichung。
Seminars on art in China Academy of Art， Hangzhou， and Changshu Institute of Technology。
Solo exhibition of oil paintings “Affection for Homeland， Perspective of Life” in Changshu Museum。
2008 Solo exhibition in Yan Gallery， Hong Kong。
Invitation exhibition “Pang Jiun： The Art of Oil Painting，” National Art Museum of China， Beijing。
2009 Invitation exhibition “The Art of Pang Jiun，” National Museum of History， Taipei。
More than 30 solo exhibitions of oil paintings was held and 10 catalogues published。
Being recognized by the American Biographical Institute with his achievement within the artistic field。
Being rewarded with the Fellow of American Biographical Institute Award by the American Biographical Institute。
Received the Gold Record of Achievement of the American
Biographical Institute in representative of Taiwan。
2010 “Art of Color， Soul of Art： The Oil Painting of Pang Jiun，” Red Gold Fine Art， Art Taipei 2010。
Awarded “2010 Top Ten Artists of the Year in Ink Painting and Oil Painting，” China。
2011 “Spring in Full Blossom，” Red Gold Fine Art， Taipei。
“Inheritance and Refinement of Art” joint exhibition of the Pang Family， Beijing Fine Art Academy， Beijing。
“Color， Line， Figure： The Art of Pang Jiun，” Ever Harvest Art Gallery， Art Taipei 2011。
Solo exhibition， GSR Gallery， Taichung。
2012 “Pang Jiun‘s Landscape Art，” Red Gold Fine Art， Taipei。
“The Land Rich in Beauty，” Red Gold Fine Art， Art Taipei 2012。
“The Land is Picturesque and Non-Picturesque，” Longmen Art Projects， Pang Jiun Shanghai Studio。
“The Oil Painting of Pang Jiun，” Ever Harvest Art Gallery， Art Taipei 2012。
2013 “Sound of Nature： Landscape Oil Painting Invitational Exhibition 2013，” The National Art Museum of China， Beijing。
“The Pang Family in Taiwan，” Art China， Beijing。
“Oil Paintings of Pang Jiun，” Fine Art Asia 2013， Hong Kong。
2014 “The Language of Colors”， Longmen Art Projects， 2014 Art Beijing
“Pang Jiun‘s Art of Human Figure”， Ever Harvest Art Gallery， Taipei。
“Pang Jiun Artwork Exhibition”， Ever Harvest Art Gallery， 2014 Art Taipei。
2015 “Orient Civilization - Pang-Jiun Solo Exhibition”， Istituto Santa Maria della Pietà， Venice
“Pang Jiun： Expression of the Orient ，Ueno Royal Museum，Tokyo
2016 “Pang Jiun： Art of Figure Drawing” Fine Art Asia 2016， Hong Kong。
“Pang Jiun 80： Art Taipei 2016
2017 “Pang Jiun Artwork Exhibition” Art Museum of China Profiles，Xiamen （AMCP）
Books
Techniques of Oil Painting， Taipei： Artist Publishing Co。， 1988
Sketch and Oil Painting， Taipei： Artist Publishing Co。， 1999
Innovation of Techniques of Oil Painting， Taipei： Artist Publishing Co。， 2001。
On Oil Painting， Shanghai： People‘s Fine Arts Publishing House， 2007
Selected Articles
1988 “An Assessment of China Central Institute of Fine Art， the Core Educational Institution of Oil Painting in Mainland China”
1989 “Art Inspiration Passed on by the Paintings of the Pang Family： A Scholarly Report on the Idea of Art Creation”
“42 Years of Art in a Flash”
1990 “The Core of Techniques of Oil Painting”
“The Pictorial， Spiritual， and Romantic Aspects of the Art of Decoration”
1992 “On the Spirituality of Color”
“A Journal of Sketches”
1994 “An Exploration of the Creative Idea of Oil Painting”
“An Exploration of the New Freehand Painting： Re-thinking the Creative Idea of Oil Painting”
1995 “On Small-Scale Oil Painting”
1996 “A Confession of Creative Idea”
“On the Art Philosophy of Lyricism”
“A Private Talk of the ‘Art Mates’”
1997 “The Art Phenomenon of the Storm Society and Thereafter” “Towards the Construction of Chinese Modern Art： Storm Society and Thereafter”
1998 “On the Difficulties of Innovating Chinese Oil Painting”
1999 “Color， Line， and Shape in Intersection”
2000 “On Art Genius in Terms of Western Art Inheritance”
2001 “The Practice of Color and Other Theoretical Concerns”
2002 “Thoughts on the Use of Color II： Color as the Soul of Oil Painting”
2003 “Persistence in Art and Artistic Persistence”
“A Style of One‘s Own： The Art of Modern Chinese Painting”
“About Private Works”
2004 “A Dialogue about Art”
2005 “Form of Expression and Art Innovation”
“On the Various Problems Concerning Oil Painting”
2006 “Art Cannot Stop”
2007 “On Color， Stroke， Expression， and Style”
“Pictorial Aspect of Design and Design in Painting”
2008 “On Lines”
Collections
The National Art Museum of China， National Museum of China， Changshu Museum， Pang Xunqin Museum， China Central Academy of Fine Arts， China Academy of Art， Academy of Arts and Design of Tsinghua University， Yunnan Arts University， National Taiwan University of Arts， National Dr。 Sun Yat-sen Memorial Hall， Capital Museum， Beijing Society of Artists， Liu Hulan Memorial Hall in Shanxi， Mexico Museum， National Taiwan Museum of Fine Arts， Kaohsiung Museum of Fine Arts， and private collectors worldwide。
来源：新
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